Glimpses of television news programs reveal that the US government holds the shooting to be a terrorist act and is pressuring the Moroccan government to apprehend the culprits. The two boys realize what has happened and flee the scene, hiding the rifle in the hills that night. Yussef's bullet hits the bus, critically wounding Susan Jones (Cate Blanchett), an American woman from San Diego who is traveling with her husband Richard Jones (Brad Pitt) on vacation. Competing between themselves and doubtful of the rifle's purported three-kilometer range, they decide to test it out, aiming first at rocks, a moving car on a highway below, and then at a bus carrying Western tourists on the same highway traveling in the opposite direction to the car. ![]() The older is critical of the younger for spying on his sister while she changes her clothes (the film shows that she is aware of his presence). The film has already established that there is a degree of competitiveness between the two brothers. Abdullah gives the rifle to his two young sons, Yussef and Ahmed (played by local non-professional actors Boubker Ait El Caid and Said Tarchini), and sends them out to tend the herd. 270 Winchester M70 rifle and a box of ammunition from his neighbor Hassan Ibrahim to shoot the jackals that have been preying on his goats. In a remote desert location in southern Morocco, Abdullah, a goatherder, buys a high-powered. The ending of the picture hits on an emotional level and it works. Her performance is captivating and mezmerising from beginning to end. The performaces is tremendous but the one that stuck out the most imo is from Adriana Barraza. The picture is shot in the style of Steven Soderburgh's Traffic and even it's the structure is similar(Stephen Mirrione who else edited Traffic co-edited with Douglas Crise work for Babel). I was completely blown away by the well interwoven plot, the characters and their persnal fates. Almost two and a half hours long, "Babel" grabs your attention with its intricate storytelling and heightened dramatic suspense, continuing the trend of films like "Crash" that bring together well-known ensemble casts and divvies them up into a wide open world that brings to cinematic life the notion that it's a small world. ![]() Even young Boubker Ait El Caid, a local from Morocco delivers a striking performance as the young boy with the gun, with much more on his mind than naked girls and relieving himself after he injures an innocent woman. Also, Adriana Barraza as the nanny gives a hugely refreshing turn, especially in her heightened emotion states while fleeing the border police and searching for the lost children. The key performances from this assemble come from lead Brad Pitt, who delivers the high caliber turn they we know and love him for, as he struggles to hold himself together as his wife is dying by his side. Nothing is ever telegraphed in the film, with many of the conclusions of the film catching the viewer by complete blind side. What director Alejandro González Iñárritu achieves so well is exact human reaction, projecting human emotions to perfection without stooping to blatant stereotypes or expectations. ![]() Whether its two harmless young boys in Morocco who are given a rifle to watch over sheep, only to accidentally shoot a white tourist (Cate Blanchett) who is traveling with her husband (Brad Pitt), or a Hispanic nanny that takes the two kids that she watches over to Mexico for a wedding, only to lose them in the desert, or a deaf Japanese girl who seeks sexual solace following the suicide of her mother, all of these small little tales tell a much larger story of human connection and raw emotions. Intertwining stories and lives across multiple countries and cultures, "Babel" covers its bases on almost every type of person and ethnicity that you could think of while weaving together a complex tale to which they all connect.
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